To kick off this post, I have to apologise to the band “The Killers”, whose song title made a perfect title for this photo and its resulting blog post. As you may know, we recently returned from an amazing family safari-camping-roadtrip through some of the most iconic places in Namibia.
One of the destinations was the famous Etosha National Park. Though it was not my first visit to Etosha, this was definitely my longest to date. We stayed a total of 12 days in the park, to ensure we made the most of each of the main camps and its surrounding regions. One of the photographic opportunities that has eluded me on my trips to Etosha prior to this one, has been to see and photograph the iconic elephant bulls caked in the white calcium-rich mud of this particular arid ecosystem.
In my presentations and workshops, I always make mention of the fact that understanding animal behaviour is key to obtaining good wildlife photos. This particular photo is also the result of such understanding, and a bit of luck…
We first saw these elephant bulls when we transferred from Namutoni camp to Halali camp. They were moving across the pan towards the mudholes at the Springbokfontein waterhole. Because we were busy moving camp and had our big trailers hitched, we could not maximise the sighting for us photographically. It was also in the heat of midday, which meant the heat haze affected the quality of our photos.
During our stay at Halali, I was tempted to see if these bulls perhaps frequent this particular waterhole. I made a late morning run to this waterhole (a 32km trip one way) – and lo and behold, they were there, albeit further from the road than what is ideal.
I knew now that these boys were the locals, this was their pub, and they would probably be found here most days until the rains come.We decided to return in that direction the next morning – and although they weren’t there when we first arrived, they had made their way to the same spot far from the road by the time we got back from our brunch stop (we made delicious jaffels on the edge of the Etosha Pan, yum)…this time there were a total of 9 elephant bulls in the immediate area!
The 4 we’d seen previously, and another 5. Photos were, again, hampered by the heart haze (it was upwards of 45 degrees Celcius by this time).
That hatched a plan for me. The next day we would be moving from Halali to Okaukuejo, and although the potential is there for the “white ghosts of Etosha” to be photographed around that area as well, I really wanted another crack at getting bankable photos of these boys.
So we decided to scoot out to Springbokfontein one last time that afternoon, in hope that they would still be around the waterhole and possibly even close enough for decent photos. Man, were we right!! Some of them had moved off way into the bush, but 2 of the bulls were feeding right next to the road, and they were super relaxed…meaning we could work some really nice closeups and even wide angle shots of them.
The golden afternoon light and some puffy clouds made for a very enjoyable afternoon of photography.
Are these photos unique – will they win me awards?
Does it matter?
Did my friend and I enjoy the culmination of my quest to photograph these white boys?
Go out there, and enjoy your photography!
Since picking up a DSLR camera for the first time, a little over 3 years ago, Morkel has been invigorated with an unbridled passion for the photographic art form. He has grown at a tremendous pace and put immense energy into the creation of his images.
He absolutely loves spending time in the wild places of his native Southern Africa. From a young age he has been visiting legendary wildlife and outdoor locations, including the Kruger Park National Park and the Drakensberg Mountains, with his family. Now that he has found a way to share the natural beauty of his homeland with the rest of the world he is regularly out on photography trips.
An Industrial Engineer by profession, and an accomplished artist in genres like music and poetry, Morkel has always enjoyed whatever allows him to express his creativity to the fullest. Photography turned out to be the perfect “marriage” between his engineering brain and artistic soul.
“I hope that in some way I can raise awareness through my imagery of the plight of not only our wildlife but also the fragility of the last remaining wilderness areas that they call home.”
Morkel was recently honoured for his commitment to his craft by receiving a “Highly Commended” for one of his images in the 2010 BBC Veolia Wildlife Photographer of the Year competition. He is based in Mpumalanga, South Africa and even though he prefers going on safari with his family and friends, Morkel also leads the odd photographic safari and has recently begun presenting workshops in post-processing techniques.
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