It may surprise you that I believe Canon’s 180mm macro lens to be the best macro lens for nature photography.
After all, a few years ago, Canon released a new macro lens, the EF 100mm f/2.8L.
It’s smaller, lighter, cheaper, auto-focuses faster, has a wider maximum aperture, and it even sports a new hybrid form of image stabilization.
And, whatever differences there may be in image quality, they are probably imperceptible in real life situations.
So why would I recommend the the 180mm f/3.5L over the 100mm f/2.8L? Well, I should concede that the 100mm f/2.8L is probably the better lens for some people. Those needing IS will likely benefit from it; those who would also use this lens for portraits and other uses may also have good reason to opt for this lens over the 180mm f/3.5L. But I’m concerned here with using this lens as a macro lens for nature and wildlife photography–flowers, insects, spiders and other small things in nature. There are two advantages to the 180mm maco that still cause me to favor it over the other possibilities.
Working Distance. Both lenses allow you to focus at 1:1, meaning that the image is recorded on the sensor at the same size as it is in real life. But because of the longer focal length, the 180mm lens allows you to focus to 1:1 at a greater distance from your subject than the 100mm lens allows. That greater distance allows you to stay farther away from insects, spiders and other creepy, crawly wonders in nature. And the farther away you can be, the less likely you are to scare your subject into leaving.
Background. The longer focal length of the 180mm macro also means that the background behind your subject will be larger in the frame compared to the 100mm macro. This to me is a huge advantage. For one thing, it allows you to isolate a smaller area behind the subject so that it will be more uniform–that is, it’s easier to get a clean, uniform background using a longer focal-length lens. For another, it’s easier to make the background will look blurrier.
Let me be clear about this though. Set up your camera with a 180mm macro, and photograph a subject at 1:1 at f/8; then set up the same camera with a 100mm lens, move closer to your subject, and photograph the same subject at 1:1 at f/8. The depth of field will be the same in both photos However, the out of focus background in the photograph with the 180mm lens will be larger compared to the photo taken with the 100mm lens. And because the out of focus background is larger, it’s blurriness will be more apparent to the viewer. If blurry backgrounds are something you desire, you want a longer focal length macro lens.
Now there are definite advantages to the 100mm f/2.8L, but for my uses and preferences, they do not trump the advantages of the 180mm f/3.5L. Let’s look at each of these advantages to see what I mean.
IS is great, but I highly recommend using a tripod for macro work for two reasons. First, dpreview says that the hybrid IS just isn’t all that effective at macro distances, giving you about a 1 stop advantage. But second and much more important, IS only corrects for camera movement. It cannot address problems with subject movement or improper focus. If you try focusing on a flower on a breezy day, you’ll quickly see that subject movement is a huge problem. It’s easier to be patient if you frame your shot with a tripod and then wait until the breeze gives you a break long enough to take the picture. Also, the depth of field is so small in macro photography that even your your subtle movements back and forth while holding the camera might move the camera out of focus. Good macro shots can be taken while hand-holding, but a much higher percentage of your photographs will be sharp and properly focused if you use a tripod. In other words, I have no need for IS for macro shots.
My camera (Canon EOS 7D) clusters all its focusing points around the center of the frame. When the part of the frame I want in focus falls on one of those points, I use auto-focus. But many times the part of the frame I want in focus falls at or near the “rule of thirds,” and the Canon 7D has no focusing points there, so I end up manual focusing. In other words, I really don’t care how fast the auto-focus works.
The smaller sizemay be an advantage for some, but since I walk around with my camera and lens on a tripod, I doubt I would notice the difference.
Depth of field is so small in macro photography that I usually stay between f/8 and f/16. I sometimes shoot at f/3.5, but I can’t imagine that I would ever need f/2.8 for the types of photographs I take.
Both lenses are great lenses, and if you buy the 100mm f/2.8L lens, I doubt very much that you would be disappointed with your choice. It’s a great macro lens, and in many ways it’s more versatile for portaits and other uses. But purely for macro photography of flowers and small animals, I much prefer the 180mm f/3.5L.
Scott Simmons, based in Florida, is a lover of nature, landscape, and wildlife photography. Scott became interested in photography in 2001 when he was given his first SLR camera. When he acquired a telephoto lens, he became progressively more interested in birds and other wildlife. Scott enjoys learning about bird habitats and behavior, striving always to take images that are both beautiful and interpretive. Scott believes photography is a great vehicle to help others to appreciate the wonder for the stuff of earth.
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